Julia Straface https://juliastraface.cargo.site Julia Straface Tue, 04 Jul 2023 18:55:58 +0000 https://juliastraface.cargo.site en Home Image Scroll https://juliastraface.cargo.site/Home-Image-Scroll Sat, 14 Mar 2020 15:35:28 +0000 Julia Straface https://juliastraface.cargo.site/Home-Image-Scroll Norita https://juliastraface.cargo.site/Norita Tue, 04 Jul 2023 18:55:58 +0000 Julia Straface https://juliastraface.cargo.site/Norita (Andrea Carbonatto &amp; Jayson McNamara, 2024) Feature documentary - Premieres soon <img width="1382" height="2048" width_o="1382" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9ecdffdb3ef12fdd0031bc6abc530398ba4824b17565b95d207b5fe6626f5264/NORITA_editada-por-Julia-Straface-SAE-y-Ana-Garcia.jpg" data-mid="221279944" border="0" src="https://freight.cargo.site/w/1000/i/9ecdffdb3ef12fdd0031bc6abc530398ba4824b17565b95d207b5fe6626f5264/NORITA_editada-por-Julia-Straface-SAE-y-Ana-Garcia.jpg" /> <img width="8000" height="4000" width_o="8000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/622bbfe75591b934707ee0f92c71c4424806ae6f8b71bb7eb8f7cbc61a861001/Norita-tapa.png" data-mid="184155829" border="0" src="https://freight.cargo.site/w/1000/i/622bbfe75591b934707ee0f92c71c4424806ae6f8b71bb7eb8f7cbc61a861001/Norita-tapa.png" /> En 1977 el hijo de Nora, Gustavo, fue secuestrado y desaparecido por la dictadura militar argentina. Cuando todo era silencio, junto a otras mujeres con hijos desaparecidos, Nora fundó las Madres de Plaza de Mayo, un movimiento de resistencia que terminó por derribar a la dictadura. Hoy Nora, a sus 93 años, es una de las últimas miembras activas del grupo: una mujer cuya tenacidad y visión política han inspirado a una nueva generación de luchadoras sociales. In 1977 Nora's son, Gustavo, was kidnapped and disappeared by the Argentine military dictatorship. When all was silent, along with other women with disappeared sons and daughters, Nora founded the Mothers of Plaza de Mayo, a resistance movement that ended up overthrowing the dictatorship. Today, Nora, at 93, is one of the last active members of the group: a woman whose tenacity and political vision have inspired a new generation of social fighters. Bahía Blanca https://juliastraface.cargo.site/Bahia-Blanca Mon, 23 Mar 2020 16:53:57 +0000 Julia Straface https://juliastraface.cargo.site/Bahia-Blanca <img width="1402" height="1984" width_o="1402" height_o="1984" data-src="https://freight.cargo.site/t/original/i/ff8ae2284adf52b3de7b8487bac11368511032ad2a80e6c5965bf5452e233c1b/BB_preposter_size.png" data-mid="64336112" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ff8ae2284adf52b3de7b8487bac11368511032ad2a80e6c5965bf5452e233c1b/BB_preposter_size.png" />"Ninguna persona que yo conozca ha dicho jamás nada bueno de Bahía Blanca. Fue por eso que la elegí como destino.""No person I know has ever said anything good about Bahía Blanca. That's why I chose it as a destination." 2020Dirigida por Rodrigo CaprottiCoeditada con Rodrigo CaprottiSiempre en la Frontera Cereza Cine Una Banda de Chicas https://juliastraface.cargo.site/Una-Banda-de-Chicas Sat, 14 Mar 2020 15:35:29 +0000 Julia Straface https://juliastraface.cargo.site/Una-Banda-de-Chicas <img width="672" height="960" width_o="672" height_o="960" data-src="https://freight.cargo.site/t/original/i/5da5df7f38ab483dd5d376c16507fbea5fb1e3c2a2a85e6445e05d4e49bfd819/Una-Banda-de-Chicas_Marilina-Gimenez_2018.jpg" data-mid="63519680" border="0" data-scale="99" src="https://freight.cargo.site/w/672/i/5da5df7f38ab483dd5d376c16507fbea5fb1e3c2a2a85e6445e05d4e49bfd819/Una-Banda-de-Chicas_Marilina-Gimenez_2018.jpg" /> "Cambié el bajo por la cámara" sentencia Marilina Giménez, que durante seis años tocó con dos amigas en la banda Yilet. Allí nació un registro autobiográfico y coral que desde una perspectiva de género confronta varios dilemas: ¿cuál es el rol de la mujer en la escena musical actual?, ¿qué sucede cuando las mujeres hacen la música que ellas eligen?, ¿qué pasa cuando sus cuerpos sobre el escenario son agresivos y sensuales?&nbsp; "I changed the bass for the camera", said Marilina Giménez, who for six years played with two friends in the band Yilet. There was born an autobiographical and choral record that from a gender perspective faces several dilemmas: what is the role of women in the current music scene, what happens when women make the music that they choose?, what happens when their bodies on stage are aggressive and sensual? 2018Dirigida por Marilina Giménez <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/743dc27d7511cbd444180689c66021ba9a8b29edb0ecbae66b99dec369eed24f/UNABANDADECHICAS_STILL1.jpg" data-mid="63728903" border="0" src="https://freight.cargo.site/w/1000/i/743dc27d7511cbd444180689c66021ba9a8b29edb0ecbae66b99dec369eed24f/UNABANDADECHICAS_STILL1.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3263c1f587da6227788e922fe294cd699e450b8ea983b17622e9501798042486/UNABANDADECHICAS_STILL2.jpg" data-mid="63728904" border="0" src="https://freight.cargo.site/w/1000/i/3263c1f587da6227788e922fe294cd699e450b8ea983b17622e9501798042486/UNABANDADECHICAS_STILL2.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7186c745d97bc6de1f6b058dd23506da73c78463ef81079ffa11976639cdd2f3/UNABANDADECHICAS_STILL3.jpg" data-mid="63728905" border="0" src="https://freight.cargo.site/w/1000/i/7186c745d97bc6de1f6b058dd23506da73c78463ef81079ffa11976639cdd2f3/UNABANDADECHICAS_STILL3.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9401dfe27cd1a109d28a131cbf8fa4c430ef41d57bf7df7871eeb4cc5f3cd5a2/UNABANDADECHICAS_STILL4.jpg" data-mid="63728906" border="0" src="https://freight.cargo.site/w/1000/i/9401dfe27cd1a109d28a131cbf8fa4c430ef41d57bf7df7871eeb4cc5f3cd5a2/UNABANDADECHICAS_STILL4.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e7c866e8487ef14e378cf237332512e7706a6252e09b9eb5b6b12dd6abe4fbdf/UNABANDADECHICAS_STILL5.jpg" data-mid="63728907" border="0" src="https://freight.cargo.site/w/1000/i/e7c866e8487ef14e378cf237332512e7706a6252e09b9eb5b6b12dd6abe4fbdf/UNABANDADECHICAS_STILL5.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/acd3a941843514fc385a0cb8f21ac2060c5552c95bdd8a96be965733ef9a853d/UNABANDADECHICAS_STILL6.jpg" data-mid="63728908" border="0" src="https://freight.cargo.site/w/1000/i/acd3a941843514fc385a0cb8f21ac2060c5552c95bdd8a96be965733ef9a853d/UNABANDADECHICAS_STILL6.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cbdc09190b800c5d23e18e5e0530b55b728dc25d3f98eba3d3d7463ad69f4c75/UNABANDADECHICAS_STILL7.jpg" data-mid="63728909" border="0" src="https://freight.cargo.site/w/1000/i/cbdc09190b800c5d23e18e5e0530b55b728dc25d3f98eba3d3d7463ad69f4c75/UNABANDADECHICAS_STILL7.jpg" /> Perros del Fin del Mundo https://juliastraface.cargo.site/Perros-del-Fin-del-Mundo Sat, 14 Mar 2020 15:35:30 +0000 Julia Straface https://juliastraface.cargo.site/Perros-del-Fin-del-Mundo <img width="852" height="1200" width_o="852" height_o="1200" data-src="https://freight.cargo.site/t/original/i/79e02e066a1da080bf73c5e3b8232b69253126672921b2e7677458901ff1db02/Perros-del-Fin-del-Mundo_Juan-Dickinson.jpg" data-mid="63522770" border="0" data-scale="100" src="https://freight.cargo.site/w/852/i/79e02e066a1da080bf73c5e3b8232b69253126672921b2e7677458901ff1db02/Perros-del-Fin-del-Mundo_Juan-Dickinson.jpg" /> Los perros convertidos en amenaza son una metáfora de cómo la vida evoluciona, de cómo el hombre rompe un equilibrio, y cómo en ese devenir de su voluntad, olvida que la naturaleza es una fuerza poderosa. Dogs turned a threat are a metaphor for how life evolves, how man breaks a balance, and how in that coming of his will, he forgets that nature is a powerful force. 2018 Dirigida por Juan DickinsonCoeditada con César Custodio (SAE) Dar a Luz Cine &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; Algo Fayó https://juliastraface.cargo.site/Algo-Fayo Sat, 14 Mar 2020 15:35:30 +0000 Julia Straface https://juliastraface.cargo.site/Algo-Fayo &nbsp; <img width="672" height="960" width_o="672" height_o="960" data-src="https://freight.cargo.site/t/original/i/c684d6bdfd4305dff9fce50ef81eb082160735eaee7d003826062286186a28cd/Algo-Fayo_Santiago-Garcia-Isler.jpg" data-mid="63526990" border="0" data-scale="98" src="https://freight.cargo.site/w/672/i/c684d6bdfd4305dff9fce50ef81eb082160735eaee7d003826062286186a28cd/Algo-Fayo_Santiago-Garcia-Isler.jpg" /> Hace más de treinta años cuando comenzó a publicar sus páginas en la legendaria revista Fierro, Pablo Fayó fue calificado de joven promesa.Pese al entusiasmo que la originalidad de sus trabajos despertó entre colegas y fans, Fayó optó por decepcionarlos. En algún momento colgó el plumín y se puso la guitarra al hombro. Desde entonces recorre los bares interpretando tangos marginales y pasando la funda. More than thirty years ago when he began publishing his pages in the legendary Fierro magazine, Pablo Fayó was rated as a young promise. Despite the enthusiasm that the originality of his works aroused among colleagues and fans, Fayó chose to disappoint them. At some point he hung up the nib and put the guitar on his shoulder. Since then he has toured the bars performing marginal tangos and passing the holster. 2017Dirigida por&nbsp;Santiago García IslerCoeditada con César Custodio (SAE) Michanié Film El Cuadrado Perfecto https://juliastraface.cargo.site/El-Cuadrado-Perfecto Sat, 14 Mar 2020 15:35:30 +0000 Julia Straface https://juliastraface.cargo.site/El-Cuadrado-Perfecto <img width="853" height="1280" width_o="853" height_o="1280" data-src="https://freight.cargo.site/t/original/i/7fb6b96da21e9a16685018aa1b33d1ba7f00d48af92fbdb0919b67b4df720987/El-cuadrado-perfecto_Pablo-Bagedelli_2018.jpg" data-mid="63530902" border="0" data-scale="100" src="https://freight.cargo.site/w/853/i/7fb6b96da21e9a16685018aa1b33d1ba7f00d48af92fbdb0919b67b4df720987/El-cuadrado-perfecto_Pablo-Bagedelli_2018.jpg" /> El Cuadrado Perfecto&nbsp;es un documental coral sobre el curioso mundo de los perros de raza. Un matrimonio que encontró en la crianza de caniches la solución a su propia fertilidad, un veterinario y taxidermista que operó 30000 dobermans, una fotógrafa de exposiciones caninas que homenajea a su marido ausente en cada disparo de la cámara, etc.A la vez, El Cuadrado Perfecto&nbsp;es un ensayo sobre las lógicas que operan sobre la vida y la muerte de los ejemplares. "Belleza", "estructura" y "función" son conceptos que sobrevuelan todos estos relatos, y constituyen un norte al que nuestros personajes apuntan incansablemente. The Perfect Square&nbsp;is a choral documentary about the curious world of breed dogs. A marriage that found in the upbringing of poodles the solution to their own fertility, a veterinarian and taxidermist who operated 30000 dobermans, a dog-show photographer who honors her absent husband in every camera shot, etc. At the same time, The Perfect Square&nbsp;is an essay on the logics that operate on the life and death of specimens. "Beauty", "structure" and "function" are concepts that fly over all these stories, and constitute a north that our characters tirelessly point to. 2018Dirigida por Pablo Bagedelli Coeditada con Joaquín Aras El Momento Más Hermoso de la Guerra https://juliastraface.cargo.site/El-Momento-Mas-Hermoso-de-la-Guerra Sat, 14 Mar 2020 19:58:06 +0000 Julia Straface https://juliastraface.cargo.site/El-Momento-Mas-Hermoso-de-la-Guerra &nbsp; &nbsp; <img width="2927" height="4522" width_o="2927" height_o="4522" data-src="https://freight.cargo.site/t/original/i/d32e6abacd12da169a1495d865c9bd91ff40e45dd1b3e328a897a877429ec902/The-Most-Beautiful-Moment-of-War--2017.jpg" data-mid="65925460" border="0" src="https://freight.cargo.site/w/1000/i/d32e6abacd12da169a1495d865c9bd91ff40e45dd1b3e328a897a877429ec902/The-Most-Beautiful-Moment-of-War--2017.jpg" /> The Most Beautiful Moment of War(Adrián Villar Rojas, 2017)Rei Cine AVRReal DMZ Project Committee, Korea Una ciudad tranquila en el campo (Yangji-ri, Corea del Sur) está cubierta por una presencia militar invisible, y está habitada sólo por un puñado de ancianos, hombres y mujeres, y muy pocos niños. Un artista extranjero llega con su equipo y, durante todo un mes, construyen varias esculturas, colocándolas por toda la ciudad: testigos silenciosos de la invasión. A quiet town in the countryside (Yangji-ri, South Korea) is covered by an almost invisible military presence, only inhabited by a handful of elderly men and women, and very few children. A foreign artist arrives with his team and, during a whole month, they build several sculptures, placing them all around the town: silent witnesses of the invasion. <img width="1600" height="858" width_o="1600" height_o="858" data-src="https://freight.cargo.site/t/original/i/f77718e3a5520a03ac5f32b2a7f1d84ebf1dd95aa90cdf8113f44b8dc1804405/EMMHG_01.jpg" data-mid="63543019" border="0" src="https://freight.cargo.site/w/1000/i/f77718e3a5520a03ac5f32b2a7f1d84ebf1dd95aa90cdf8113f44b8dc1804405/EMMHG_01.jpg" /><img width="1600" height="865" width_o="1600" height_o="865" data-src="https://freight.cargo.site/t/original/i/fb4cbede42d09ddef0003d04e3aec17b8388628635b72274f81655eff36305c4/EMMHG_02.jpg" data-mid="63542969" border="0" src="https://freight.cargo.site/w/1000/i/fb4cbede42d09ddef0003d04e3aec17b8388628635b72274f81655eff36305c4/EMMHG_02.jpg" /><img width="1600" height="865" width_o="1600" height_o="865" data-src="https://freight.cargo.site/t/original/i/317033485c3a6ce1a366050b9d9d718be63b8366375b07a9dfad2fff76b7e575/EMMHG_03.jpg" data-mid="63542970" border="0" src="https://freight.cargo.site/w/1000/i/317033485c3a6ce1a366050b9d9d718be63b8366375b07a9dfad2fff76b7e575/EMMHG_03.jpg" /><img width="2048" height="1080" width_o="2048" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3e5aa15cba69dedb8e830d93cfb18aebd078c9ebb7afcb2086f6b89062dcbecb/EMMHG_05.jpg" data-mid="64335908" border="0" src="https://freight.cargo.site/w/1000/i/3e5aa15cba69dedb8e830d93cfb18aebd078c9ebb7afcb2086f6b89062dcbecb/EMMHG_05.jpg" /><img width="2048" height="1080" width_o="2048" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9e8feed3d7e201259cfb38049a1b7bdd26b1abe4b84ead169b58932a4215690a/EMMHG_04.png" data-mid="64335858" border="0" src="https://freight.cargo.site/w/1000/i/9e8feed3d7e201259cfb38049a1b7bdd26b1abe4b84ead169b58932a4215690a/EMMHG_04.png" /> Exits and Entrances https://juliastraface.cargo.site/Exits-and-Entrances Sat, 14 Mar 2020 21:31:57 +0000 Julia Straface https://juliastraface.cargo.site/Exits-and-Entrances <img width="654" height="834" width_o="654" height_o="834" data-src="https://freight.cargo.site/t/original/i/fc3c7f507efa78cabb390f640ccd04ab90fdc763efe6bfae55b8d8818c62e609/Exits-and-Entrances_poster.jpg" data-mid="63543704" border="0" data-scale="100" src="https://freight.cargo.site/w/654/i/fc3c7f507efa78cabb390f640ccd04ab90fdc763efe6bfae55b8d8818c62e609/Exits-and-Entrances_poster.jpg" /> (Jessica Hankey y Erin Johnson, 2018)Rubin Center for the Visual ArtsUniversity of Texas at El Paso Para el video a tres canales Salidas y Entradas / Exits and Entrances (2018), las artistas Jessica Hankey y Erin Johnson trabajaron ofreciendo talleres de performance en centros públicos de jubilados en El Paso, Texas.Los ancianos que participaron representaron imaginarios sociales, políticos y geográficos para la cámara. A medida que los límites entre el ensayo, la improvisación y la interpretación se difuminan, aparecen las formas en que se fusionan las vidas individuales y las realidades sociopolíticas. For the three-channel video Salidas y Entradas / Exits and Entrances (2018), artists Jessica Hankey and Erin Johnson worked to offer performance workshops at public daytime senior centers managed by the city of El Paso, Texas. The elders who participated enacted social, political and geographical imaginaries for the camera. As the boundaries between rehearsal, improvisation, and performance blur, the ways in which individual lives and sociopolitical realities merge together are foregrounded. <img width="2085" height="1390" width_o="2085" height_o="1390" data-src="https://freight.cargo.site/t/original/i/27fb4843191063a1afd4a4c6914429d700ced1c43c47c2188d96611763be95c6/Exits-and-Entrances_01.jpg" data-mid="63543699" border="0" src="https://freight.cargo.site/w/1000/i/27fb4843191063a1afd4a4c6914429d700ced1c43c47c2188d96611763be95c6/Exits-and-Entrances_01.jpg" /> <img width="1296" height="864" width_o="1296" height_o="864" data-src="https://freight.cargo.site/t/original/i/62289336adb254188489866caf55f4b687615ed019b3bc019a1a8ccf4bfb28af/Exits-and-Entrances_02.jpg" data-mid="63543700" border="0" src="https://freight.cargo.site/w/1000/i/62289336adb254188489866caf55f4b687615ed019b3bc019a1a8ccf4bfb28af/Exits-and-Entrances_02.jpg" /> <img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/b81c655727263146a6b724b765adc054eab315930b7f8e6d5e71555c9510b89b/tsui-space_1.jpg" data-mid="64025034" border="0" src="https://freight.cargo.site/w/1000/i/b81c655727263146a6b724b765adc054eab315930b7f8e6d5e71555c9510b89b/tsui-space_1.jpg" /> <img width="2057" height="2880" width_o="2057" height_o="2880" data-src="https://freight.cargo.site/t/original/i/75f922f4e11205ca3254187f52792b7ed6e27a7b0564baf1c845028c5cc21ab5/tsui-space_2.jpg" data-mid="64025035" border="0" src="https://freight.cargo.site/w/1000/i/75f922f4e11205ca3254187f52792b7ed6e27a7b0564baf1c845028c5cc21ab5/tsui-space_2.jpg" /> <img width="2057" height="2880" width_o="2057" height_o="2880" data-src="https://freight.cargo.site/t/original/i/f273d733a6483c847cbe08c8bca98f1edff17d2ddc3668634dd5f3a477eff9ce/tsui-space_6.jpg" data-mid="64025037" border="0" src="https://freight.cargo.site/w/1000/i/f273d733a6483c847cbe08c8bca98f1edff17d2ddc3668634dd5f3a477eff9ce/tsui-space_6.jpg" /> <img width="2880" height="2057" width_o="2880" height_o="2057" data-src="https://freight.cargo.site/t/original/i/4c468e3b86f5b9a81a1ba255cc642d85ef02ab2da7e165e36bb4e6a90372b245/tsui-space_5.jpg" data-mid="64025036" border="0" src="https://freight.cargo.site/w/1000/i/4c468e3b86f5b9a81a1ba255cc642d85ef02ab2da7e165e36bb4e6a90372b245/tsui-space_5.jpg" /> War of the Stars https://juliastraface.cargo.site/War-of-the-Stars Sat, 14 Mar 2020 21:54:20 +0000 Julia Straface https://juliastraface.cargo.site/War-of-the-Stars <img width="2945" height="4125" width_o="2945" height_o="4125" data-src="https://freight.cargo.site/t/original/i/818fd5ed177a931f90c9716b7531a9e97a643046090171c1aadf965e7446cf03/A-War-of-the-Stars--2018.jpg" data-mid="65932003" border="0" src="https://freight.cargo.site/w/1000/i/818fd5ed177a931f90c9716b7531a9e97a643046090171c1aadf965e7446cf03/A-War-of-the-Stars--2018.jpg" /> The War of the Stars (Adrián Villar Rojas, 2018) AVRMarian Goodman GalleryGwangju Biennale Commissioned work Site-specific two-channel film installation at Asian Culture Center Creation Hall, Gwangju, South Korea. 2 screens 8 x 4,5 m; 4 line array with 10 speakers each; text on wall. En la sala de exposiciones, la misma pared se utiliza para proyectar dos películas –The Most Beautiful Moment of War (2017) y The War of the Stars (2018)– separadas por el dispositivo de proyección pero absolutamente conectadas por su sonido, que se abre como un espacio de porosidad total entre ellas, de la misma manera que el Sur y el Norte se "invaden" por la noche recurriendo al sonido como un puente para la propaganda, la provocación, las represalias, la seducción e incluso el diálogo. In the exhibition room, the same wall is used to project two films –The Most Beautiful Moment of War (2017) and The War of the Stars (2018)– separated by the projection device but absolutely connected by their sound, which opens up as a space of total porosity between them, the same way the South and the North “invaded” each other at night resorting to sound as a bridge for propaganda, provocation, retaliation, seduction and even dialogue. Photo credit: Sarah Kim <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/017a66453a64511cd0b6bed6fd5762d1d1a091c3ccb9a1dc5ec4d4080cb16fc5/03_SR_6012.jpg" data-mid="65945068" border="0" src="https://freight.cargo.site/w/1000/i/017a66453a64511cd0b6bed6fd5762d1d1a091c3ccb9a1dc5ec4d4080cb16fc5/03_SR_6012.jpg" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/811db42ebb7f68edc815afe73b042314bfd089a3c1d1e882371c01baa48c8ac7/06_SR_6047.jpg" data-mid="65945070" border="0" src="https://freight.cargo.site/w/1000/i/811db42ebb7f68edc815afe73b042314bfd089a3c1d1e882371c01baa48c8ac7/06_SR_6047.jpg" /> <img width="4500" height="3000" width_o="4500" height_o="3000" data-src="https://freight.cargo.site/t/original/i/97e2a20e69643752f7f4ce2bc94fe8feadc5de588f8ae9f6ca6dc2d3103be2ea/13_SR_5987.jpg" data-mid="65945072" border="0" src="https://freight.cargo.site/w/1000/i/97e2a20e69643752f7f4ce2bc94fe8feadc5de588f8ae9f6ca6dc2d3103be2ea/13_SR_5987.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/399da401e1985321dfe6f053deeb1f1f7d53b0ec82036d40f4123e618ea02f90/TWOTS-STILLS-pre-COLOR-06-RETN.png" data-mid="65945265" border="0" src="https://freight.cargo.site/w/1000/i/399da401e1985321dfe6f053deeb1f1f7d53b0ec82036d40f4123e618ea02f90/TWOTS-STILLS-pre-COLOR-06-RETN.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/429eaeb578ccf8f98a65fb1d54e11ab6b51cd40e1d5ee1ca0fe9df58ba8e791b/TWOTS-STILLS-pre-COLOR-31-RETN.png" data-mid="65945267" border="0" src="https://freight.cargo.site/w/1000/i/429eaeb578ccf8f98a65fb1d54e11ab6b51cd40e1d5ee1ca0fe9df58ba8e791b/TWOTS-STILLS-pre-COLOR-31-RETN.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/19277e00c0efc77984fe1df60dd4669b8e116816f4ebbd1ceef75d60e061ffe5/TWOTS-STILLS-pre-COLOR-18-RETN.png" data-mid="65945266" border="0" src="https://freight.cargo.site/w/1000/i/19277e00c0efc77984fe1df60dd4669b8e116816f4ebbd1ceef75d60e061ffe5/TWOTS-STILLS-pre-COLOR-18-RETN.png" />